CLIP Voicemail Line : (703) 651-CLIP(2547)
Disney Babies_critical literacy 71

Posted on Friday 4 March 2011

In this show: Disney Babies
picture-1
Participate in the show: Call in comments and/or show ideas CLIP Voicemail Line : (703) 651-CLIP(2547) Email: clippodcast@gmail.com Twitter/FB clippodcast Music: Hold My Hand by Matthew Cambell Produced by Andy Bilodeau Show Transcript: The Disney Baby has been born. By now you have probably heard that the Disney corporation has launched a new line of products geared towards newborn babies. In doing so they claim to and I quote “create magical moments from the start.” The center of the website for these products reads, “We just love to see the way families connect and grow. But it's those special moments with Dad and your baby (your baby!) that we hope to make even more magical. “ To the right of the text is a box with the heading Meet Other Moms. Given this little bit of information I have given you what discursive practices are holding in place which dominant systems of meaning? Clearly the target audience is new moms in conjunction with the dad or father figure, inspite of the growing number of families with two moms or two dads. You can imagine the flurry of responses to the new line that range from delight to disgust from excitement to being horrified. So the question to Disney or not to Disney comes up once again and I urge us to consider one more time the ways in which the perspective from which you enter into any event or experience impacts what you come away with. Not buying Disney products in and of itself is not critical literacy. The critical piece comes through being able to unpack the hidden ideologies that stem from the world of Disney and therefore not buying into those ideologies. The critical also comes through understanding the position from which you enter into readings of Disney and so forth. It comes from the recognition that the language you encounter is not natural or neutral and that it does particular life work. But this is not just about Disney of course. A short time ago for instance my family and I visited a store where we discovered a barrel full of stuffed toys. These furry creatures were particularly interesting as they had no body or legs. I’ll post a photo in my show notes. This is how the toy is advertised. “Inspire your child's imagination by adding a new friend to the playroom or bedroom wall! This Plush Deer Wall Head mount resembles the real thing, but its soft fur and harmless stuffed rack makes it much more approachable! Perfect for the young outdoorsman who wants to become a hunter like his dad or mom! Makes a fun gift for the hunter-to-be!” I’m glad to see mom added to the advertisement. Note that the toy is geared toward the young outdoorsman who wants to be like his mom or dad. Not so glad to see the camouflage baby bib or camouflage onesies located right by the stuffed wall mount animal heads. I haven’t heard much resistance or disruption of this text inspite of the fact that like Disney this product works to induct children into particular ways of being, into a particular lifestyle. So the issue at hand goes beyond to Disney or not to Disney. What do you think? What are some things we can do in schools and at home to disrupt dominant ideologies and discursive practices? Weigh in by leaving a comment on the clip homepage at www.clippodcast.com or by leaving me voice mail at the number listed on my homepage.
Vivian @ 12:00 am
Filed under: Children's Books and Classroom Practice and Fairness and Podcast
iPods, Puppy Dogs, and Podcasts_critical literacy 70

Posted on Tuesday 1 February 2011

In this show: Imagining Literacy Instruction for the 21st Century tj-family-with-ipods Music: Hold My Hand by Matthew Cambell Show Links: Critical Literacy Children of Selsted 100 Percent Kids Participate in the show: Call in comments and/or show ideas CLIP Voicemail Line : (703) 651-CLIP(2547) Email: clippodcast@gmail.com Twitter/FB clippodcast Show Transcript: iPods, Puppy Dogs, and Podcasts This episode focuses on imagining literacy instruction for the 21st Century. Before I begin I want to extend much thanks to Matthew Campbell whose singing and guitar playing you heard in the intro to the show. Seasoned listeners would notice that this is a new intro for CLIP so thank you Matt for writing and performing the song specifically for this podcast. I’ll play the whole song at the end of the show. You can find informa-tion regarding Matthew Campbell in the show notes. Two-year-old Siena was in the playground at her sister Gabriela’s pre-school. As she climbed into a red and yellow ride-on car she turned around, looked at her mother and said, “keys”, at which time her mother handed her a set of toy keys. Siena then put her hand out once more in the direction of her mother and said “phone”. My five-year old son TJ, was asked to draw a picture of his family by his pre-school teacher. The image he created, which I will include in the shownotes is of three people of varying heights, representing my husband, TJ and me. People who know us would likely be able to identify each of us in his drawing. My husband is drawn with a long ponytail, I am the figure with dark hair and TJ is the one with the baseball cap. In TJ’s image of our family he has represented each of us with an iPod Touch™ (portable media player and digital assistant) in our hand. Important to note is that each one has a different combination of colored dots. This is because each dot repre-sents a particular iPod Touch™ application or “app” that he knows we either have on our Touches or that he thinks we should have on our Touches. For instance, on his iPod™, TJ has various game apps like Rolando2™ and drawing apps like iDoodle2™. It is clear from these literacy stories that children today are born and inducted into a world in which new technologies and new forms of communication are widespread. Young children, like Siena and TJ, participate in the world with new mindsets, identities and practices. Lucy Gray (2009), in “Stu-dents and Teachers Learning Together in the 21st Century”, does a good job of describing the web 2.0 world in which these new forms of participation unfold . Socially Situated Practices Siena’s contextual use of language as a toddler is an example of Street’s (1984) notion of language development as a socially situated practice, whereby, from a very young age, she makes use of the language resources available to her. Similarly the literacy act of TJ exemplifies Gee’s (2004) notion of Discourse (with a capital D) in which people use “a compi-lation of semiotic material, and expressive resources as an ‘identity kit’ ” allowing them “to be recognized as certain kinds of people within a given context” (Black, 2006, p.70). This was evident in TJ’s use of the iPod Touch™ in his drawing as a symbol representing membership in a certain community. Naming ourselves into existence is part of building an identity which, according to Wenger (1998), “…consists of negotiating the meanings of our experiences of membership, in social communities” (p.145). There are larger forces at play here that can be thought of as social practices with a capital S (Harste, 2009). Getting Beyond Technologizing the Work We Do The biggest problem in schools with regards to technology is no longer the lack of hardware or software. The problem is that teachers often get trained in how to technologize school-work. For instance, in conversation with educators at a recent literacy conference, they shared that they were taught how to put their worksheets online so that children could fill in the blanks electronically. What we need is not to technologize our existing practice but to imagine, as Lankshear and Knobel (2003) encourage, what the technology affords the work we do. Said differently, what sorts of new ways of engaging as literate learners do new technologies offer, including connectivity (being able to connect with others locally and globally), acces-sibility to information, and diverse ways of understanding and participating in the world for the 21st century. For instance in Carol Felderman’s second grade class-room, in Falls Church, Virginia, children used podcasting as a way to share with others projects dealing with issues such as global warming and animal rights along with the steps they took to raise funds allowing all the second graders to go an a particular school trip. You can listen to their podcast called 100 Percent Kids. I’ll add a link in the shownotes. In Kent England, the children of Selsted Primary School, which was earmarked for closure, worked with a local musician to write, record and release a song which they sold online to raise enough funds to keep their school open. Their song can be heard online and I’ll add a link in the shownotes for this also. Fortunately, there are more and more examples like these of what using technology in new ways might look and sound like in the classroom (Evans, 2004; Marsh, 2005), however, much more needs to be done. Comber, Nixon, and Reid (2007) note that in the teach-ing of literacy, our role as teachers includes extending the repertoires of literacy and communications practices available to our students. They ask how technology, such as sending a message or text using a cell phone, creating a video, podcast-ing, and participating in online spaces such as electronic art galleries for children, provide new and interesting ways for them to communicate their ideas, questions, and understanding about the world around them. For the children I describe earlier, new technologies became tools used for thinking about, representing, interacting, learning and communicating in the world. According to Merchant (2005), “Digital media and new forms of communication pro-vide rich possibilities for redefining interaction and establish-ing kinds of participation and production that reach out beyond classroom spaces” (p.73). What might you do in your setting as a way of imagining literacy instruction for the 21st century? References Black, R. (2006). “Language, Culture, and Identity in Online Fanfiction”. E-Learning. (3)2. Pp.170-183. Comber, B., Nixon H., and Reid J. (Eds.) (2007). Litera-cies in Place: Teaching Environmental Communication. New-town, NSW, Australia: Primary English Teachers Association. Evans, J. (Ed.) (2004). Literacy Moves On: Using popular culture, new technologies and critical literacy in the primary classroom. London, UK: David Fulton Publishers. Gee, J.P. (1999). An Introduction to Discourse Analysis. London: Routledge. Gee, J.P. (2004). Situated Language and Learning: a cri-tique of traditional schooling. New York: Routledge. Gray, L.(2009). “Students and Teachers Learning To-gether in the 21st Century”. School Talk. Urbana, IL: NCTE. Pp.1-2. Harste, J.C. (2009). Presentation given at the 2009 Litera-cies and Differences Institute. Mississauga,ON, Canada: Stagewest Hotel. July 20, 2009. Lankshear, C. & Knobel, M. (2003). New Literacies: changing knowledge and classroom learning. Philadelphia: Open University Press. Marsh, J. (Ed.) (2005). Popular Culture, New Media and Digital Literacy in Early Childhood. New York, NY: Rout-ledge Falmer. Merchant, G.(2004). “The Dagger of Doom and the Mighty Handbag”. In Evans, J. Literacy Moves On: Using popular culture, new technologies and critical literacy in the primary classroom. London, UK: David Fulton Publishers. Pp.49-59. New London Group (1996). A Pedagogy of Multiliteracies: designing social futures, Harvard Educational Review, 66, pp. 60-92. Street, B. (1984). Literacy in Theory and Practice. Cam-bridge: Cambridge University Press. Vasquez, V. (2010). Getting Beyond I Like the Book… Newark, DE: International Reading Association Publishers.
Vivian @ 1:32 am
Filed under: Classroom Practice and Podcast and technology
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Posted on Tuesday 7 July 2009

Cheapest tramadol online, In this show Carol Felderman reflects on the impact of Dr. Sonia Nieto on her work and her life, Fort Worth, Texas. Denver, Colorado. Buy cheap tramadol no rx, Thank you to Carol for contributing to CLIP.

For more on Sonia go to http://people.umass.edu/snieto/

Let me know where you are:
Click on ‘Join the CLIP Frappr Map’ in the menu bar, order tramadol no prescription. Rx free tramadol, Post a comment:
Click the comment button below or leave a voice mail by calling 206-350-6204 or e-mailing at clippodcast[at]gmail[dot]com

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Vivian @ 8:44 am
Filed under: Podcast
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Posted on Tuesday 30 June 2009

Tramadol for sale, In this show Katie Keier reflects on the impact of Dr. Sonia Nieto on her work and her life, order tramadol no prescription. Tramadol withdrawal, Thank you to Katie for contributing to CLIP.

For more on Sonia go to http://people.umass.edu/snieto/

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Click the comment button below or leave a voice mail by clicking ‘leave me a message’ in the menu bar or by calling 206-350-6204 or e-mailing at clippodcast[at]gmail[dot]com

Produced by:
Andy Bilodeau
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Vivian @ 8:31 pm
Filed under: Classroom Practice and Podcast
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Posted on Friday 26 June 2009

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Produced by:
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Vivian @ 2:06 am
Filed under: Literacy and Rising Up and Social Action